Marfa
At the time my wife, dancer Carla Körbes, was Associate artistic director of L.A. Dance Project. We were based at the Chinati Foundation for two weeks as artist in residence for Marfa Dance Episodes. While there I was hired by L.A.D.P. to photograph the residency. The company presented a series of performances within the permanent collection which was live streamed. Additionally I made a series of personal works on film around the wonderful grounds including the site specific artwork by Donald Judd and others like Richard Long. Many years before I had heard about the Chinati from my art lecturer artist and writer Michael Corris at Oxford Brooks University so I was excited to finally visit the Foundation in person.
The Chinati wrote this about the artwork shown in my landscape print:
15 untitled works in concrete, 1980–1984
The fifteen concrete works by Donald Judd that run along the border of Chinati’s property were the first works to be installed at the museum and were cast and assembled on the site over a four-year period, from 1980 through 1984. The individual units that comprise each work have the same measurements of 2.5 x 2.5 x 5 meters, and are made from concrete slabs that are each 25 centimeters thick. Funding for the project was provided by the Dia Art Foundation.
Location: Chinati Foundation, Marfa Texas 2017
Paper : Canson® Infinity Platine Fibre Rag, Satin, Giclée, 100% cotton, Acid-free, archival, 310 gsm
Edition: 25 signed and numbered
Technical:
Camera Hasselblad 501 c/m
Lens: Zeiss T* 80mm
Film: Kodak Potra 160 color negative
At the time my wife, dancer Carla Körbes, was Associate artistic director of L.A. Dance Project. We were based at the Chinati Foundation for two weeks as artist in residence for Marfa Dance Episodes. While there I was hired by L.A.D.P. to photograph the residency. The company presented a series of performances within the permanent collection which was live streamed. Additionally I made a series of personal works on film around the wonderful grounds including the site specific artwork by Donald Judd and others like Richard Long. Many years before I had heard about the Chinati from my art lecturer artist and writer Michael Corris at Oxford Brooks University so I was excited to finally visit the Foundation in person.
The Chinati wrote this about the artwork shown in my landscape print:
15 untitled works in concrete, 1980–1984
The fifteen concrete works by Donald Judd that run along the border of Chinati’s property were the first works to be installed at the museum and were cast and assembled on the site over a four-year period, from 1980 through 1984. The individual units that comprise each work have the same measurements of 2.5 x 2.5 x 5 meters, and are made from concrete slabs that are each 25 centimeters thick. Funding for the project was provided by the Dia Art Foundation.
Location: Chinati Foundation, Marfa Texas 2017
Paper : Canson® Infinity Platine Fibre Rag, Satin, Giclée, 100% cotton, Acid-free, archival, 310 gsm
Edition: 25 signed and numbered
Technical:
Camera Hasselblad 501 c/m
Lens: Zeiss T* 80mm
Film: Kodak Potra 160 color negative
At the time my wife, dancer Carla Körbes, was Associate artistic director of L.A. Dance Project. We were based at the Chinati Foundation for two weeks as artist in residence for Marfa Dance Episodes. While there I was hired by L.A.D.P. to photograph the residency. The company presented a series of performances within the permanent collection which was live streamed. Additionally I made a series of personal works on film around the wonderful grounds including the site specific artwork by Donald Judd and others like Richard Long. Many years before I had heard about the Chinati from my art lecturer artist and writer Michael Corris at Oxford Brooks University so I was excited to finally visit the Foundation in person.
The Chinati wrote this about the artwork shown in my landscape print:
15 untitled works in concrete, 1980–1984
The fifteen concrete works by Donald Judd that run along the border of Chinati’s property were the first works to be installed at the museum and were cast and assembled on the site over a four-year period, from 1980 through 1984. The individual units that comprise each work have the same measurements of 2.5 x 2.5 x 5 meters, and are made from concrete slabs that are each 25 centimeters thick. Funding for the project was provided by the Dia Art Foundation.
Location: Chinati Foundation, Marfa Texas 2017
Paper : Canson® Infinity Platine Fibre Rag, Satin, Giclée, 100% cotton, Acid-free, archival, 310 gsm
Edition: 25 signed and numbered
Technical:
Camera Hasselblad 501 c/m
Lens: Zeiss T* 80mm
Film: Kodak Potra 160 color negative
